38 verified quotes from 30 writers, c. 475 BC to 1916.
Quotes 20 to 38 of 38, page 2 of 2.
Continued from page 1, which has our introduction. Still oldest first.
What “verified” means, and what we leave out: How we verify.
…and they had made her strong, but taught her much amiss
Our note: The narrator on what shame, despair and solitude had taught Hester Prynne.
Verified in the full text of The Scarlet Letter on Project Gutenberg · Project Gutenberg ebook #33
Painted the same decade: Scene in the Jewish Quarter of Constantine, Théodore Chassériau, 1851
…the world's great men have not commonly been great scholars, nor its great scholars great men.
Our note: The Autocrat on learning and greatness.
Verified in the full text of The Autocrat of the Breakfast-Table on Project Gutenberg · Project Gutenberg ebook #751
Painted the same decade: Scene in the Jewish Quarter of Constantine, Théodore Chassériau, 1851
…he who never made a mistake never made a discovery.
Our note: From Self-Help.
Verified in the full text of Self-Help on Project Gutenberg · Project Gutenberg ebook #935
Painted the same decade: The Artist's Sitting Room in Ritterstrasse, Adolph Menzel, 1851
…suffering has been stronger than all other teaching, and has taught me to understand what your heart used to be.
Our note: Estella to Pip at their meeting near the end of the novel.
Verified in the full text of Great Expectations on Project Gutenberg · Project Gutenberg ebook #1400
Painted the same decade: The Calm Sea, Gustave Courbet, 1869
Everything's got a moral, if only you can find it.
Our note: The Duchess, who finds a moral in everything Alice says.
Verified in the full text of Alice's Adventures in Wonderland on Project Gutenberg · Project Gutenberg ebook #11
Painted the same decade: Boy with a Sword, Edouard Manet, 1861
I'm not afraid of storms, for I'm learning how to sail my ship.
Our note: Amy in the second part of the novel, on facing life's troubles.
Verified in the full text of Little Women on Project Gutenberg · Project Gutenberg ebook #514
Painted the same decade: The Third-Class Carriage, Honoré Daumier, 1864
Travel is fatal to prejudice, bigotry and narrow-mindedness, and many of our people need it sorely on these accounts.
Our note: From the conclusion of Twain's account of a long voyage to Europe and the Holy Land.
Verified in the full text of The Innocents Abroad on Project Gutenberg · Project Gutenberg ebook #3176
Painted the same decade: The Laundress, Honoré Daumier, 186[3?]
Broad, wholesome, charitable views of men and things can not be acquired by vegetating in one little corner of the earth all one's lifetime.
Our note: The sentence that follows Twain's remark on travel and prejudice.
Verified in the full text of The Innocents Abroad on Project Gutenberg · Project Gutenberg ebook #3176
Painted the same decade: The Third-Class Carriage, Honoré Daumier, 1864
…ignorance more frequently begets confidence than does knowledge
Our note: From the introduction, on people who declare that science will never solve a problem.
Verified in the full text of The Descent of Man on Project Gutenberg · Project Gutenberg ebook #2300
Painted the same decade: The Dance Class, Edgar Degas, 1874
I consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose
Our note: Holmes explaining to Watson, in their first adventure, why he ignores most facts.
Verified in the full text of A Study in Scarlet on Project Gutenberg · Project Gutenberg ebook #244
Painted the same decade: Shoes, Vincent van Gogh, 1888
It is a capital mistake to theorise before one has data. Insensibly one begins to twist facts to suit theories, instead of theories to suit facts.
Our note: Holmes to Watson as a new case begins.
Verified in the full text of A Scandal in Bohemia on Project Gutenberg · Project Gutenberg ebook #1661 · Collected in The Adventures of Sherlock Holmes
Painted the same decade: The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892
Nothing ever becomes real till it is experienced
Our note: From a letter to his brother and sister-in-law, written in 1819; the sentence goes on to say a proverb is no proverb until life has shown it to you.
Verified in the full text of Letters of John Keats to His Family and Friends on Project Gutenberg · Project Gutenberg ebook #35698
Painted the same decade: Serena Pulitzer Lederer (1867–1943), Gustav Klimt, 1899
Experience is the name every one gives to their mistakes.
Our note: A quip from the play's third act.
Verified in the full text of Lady Windermere's Fan on Project Gutenberg · Project Gutenberg ebook #790
Painted the same decade: The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892
I Keep six honest serving-men: (They taught me all I knew) Their names are What and Where and When And How and Why and Who.
Our note: From the poem after "The Elephant's Child," the story of a very curious young elephant.
Verified in the full text of Just So Stories on Project Gutenberg · Project Gutenberg ebook #2781
…who was full of 'satiable curtiosity, and that means he asked ever so many questions
Our note: How the story introduces its young hero, whose questions get him into trouble and, in the end, a trunk.
Verified in the full text of The Elephant's Child on Project Gutenberg · Project Gutenberg ebook #2781 · Collected in Just So Stories
Those who cannot remember the past are condemned to repeat it
Our note: From the first volume, Reason in Common Sense.
Verified in the full text of The Life of Reason on Project Gutenberg · Project Gutenberg ebook #15000
Education never ends, Watson. It is a series of lessons with the greatest for the last
Our note: Holmes at the end of the case, collected in His Last Bow (1917).
Verified in the full text of The Adventure of the Red Circle on Project Gutenberg · Project Gutenberg ebook #2350 · Collected in His Last Bow
Painted the same decade: Tilla Durieux (Ottilie Godeffroy, 1880–1971), Auguste Renoir, 1914
Artistic growth is, more than it is anything else, a refining of the sense of truthfulness.
Our note: The narrator on how an artist matures, as Thea Kronborg finds her voice.
Verified in the full text of The Song of the Lark on Project Gutenberg · Project Gutenberg ebook #44
Painted the same decade: Tilla Durieux (Ottilie Godeffroy, 1880–1971), Auguste Renoir, 1914
Man is a born child, his power is the power of growth
Our note: A verse from Stray Birds.
Verified in the full text of Stray Birds on Project Gutenberg · Project Gutenberg ebook #6524
Painted the same decade: Tilla Durieux (Ottilie Godeffroy, 1880–1971), Auguste Renoir, 1914
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